E-CineIndia (April-June 2024)
E-CineIndia
Vol. XXII
ISSN: 2582-2500
April – June 2024
Editor:
Premendra Mazumder
Editorial Board:
MK Raghavendra
N Vidyashankar (Kannada)
Meena Karnik (Marathi)
Manoj Barpujari (Assamese)
G P Ramachandran (Malayalam)
Copy-Editor:
Bhagyalakshmi Makam
OPINIONS EXPRESSED BY THE AUTHORS ARE THEIR OWN, AND E-CINEINDIA IS NOT RESPONSIBLE FOR THAT
Article
- Premendra Mazumder- Cinema in Bangladesh
- Snehasish Mistri- Gandhi & Automation in Mrinal Sen
- Ankuran Dutta- The Peries Couple’s Contribution to Sri Lankan Cinema
- Tuhinkanya Borah- The Cinema of the Elite – Question Marks
- Subrat Jyoti Neog- Tradition of Biographical Films on Sankardeva
Tribute
- Milind Damle- Dev Anand and the Uncontested Election
- Abhishek Talukder- The Bearable Heaviness of Being Mani Kaul
- Siraj Syed- Ameen Sayani: The incomparable radioman, compère, and my Guru
- Indranil Banerjee and Sumita Dutta- Rekindling the Unknown Cinematic Brilliance: Dhiren Mukherjee
Critique
- N Vidyashankar- All We Imagine as Light: A New Voice of the Indian Independent Cinema
- M K Raghavendra- The Portrayal of Political Evil: Jonathan Glazer’s The Zone of Interest
- G P Ramachandran- Lies and Memories: A Film Narrative Made in Dreams
- Latika Padgaonkar- Mithun
- Meena Karnik- Sthal
- Pradip Biswas- Evil Does Not Exist: Hamaguchi’s Ecological Work
- Swapna Gopinath- The Illusion of Power and Masculine Spaces in Bhramayugam
- Aparna Ajith- Deciphering the Social and Moral Fabric: An Appraisal of Adoor Gopalakrishnan’s Naalu Pennungal
- Devapriya Sanyal- Neeyat
- Dipsikha Bhagawati- Nine Hills One Valley: Unfolding Labyrinths
Paper
- Vedant Srinivas- Notes on Veli (The Open)
- Yatin Satish- Bramayugam: Caste, Power and Cinematic Metaphor
Festival Report
- Meghachandra Kongbam- Mumbai International Film Festival 2024
- S Viswanath- 77th Cannes: A Critic’s Diary- Trinkets of Duds, Dead Ducks & Few Sparkling Solitaires
Cover
Cinema in Bangladesh
A Still from Ritwik Ghatak’s epic ‘Titash Ekti Nadir Naam’ (Bangladesh, 1973)
