India Chapter of the International Federation of Film Critics

E-CineIndia (October-December 2022)

ISSN: 2582-2500
Oct-Dec 2022

Premendra Mazumder

Editorial Board:
MK Raghavendra
N Vidyashankar
Meena Karnik
Manoj Barpujari
G P Ramachandran

Bhagyalakshmi Makam

  1. Obituary-Sudhir Nandgaonkar

  2. Anis Pervez- Meaning Construction in the Film: A Cybernetic Approach
  3. P.K. Pokker- When Nangeli Comes Back to the Stage with the Voice of the Subaltern
  4. Reetamoni Das- What’s on the Road? The Quest, the Intrigue, the Tales…

  5. Pradip Biswas- Andrey Zvyagintsev: Face to Face

  6. Pritha Banerjee- From Recollection to Recapitulation:Situating Time, Memory and Dotage in “Vortex” and “Amour”

    Chidananda Dasgupta Memorial Contest on Film Criticism 2022: Winners
  7. Abhishek Roy- Struggle in Paradise: The Little Wins That Have a Big Impact
  8. Sragdharamalini Das- Locating Mayurakshi between Mourning and Melancholia
  9. Ankita Rathour- Kabir Singh Bothers?
  10. Ashish Diwedi- Revisiting Franz Osten’s Acchut Kanya: Bombay Talkies’ Debut Social Endeavour
  11. Sanil M Neelakandan- Constructing Ideological Tropes of Dalits and Muslims: On Caste, Islam and Gender in Malayalam Films
  12. Johnson Rajkumar- Manipur through the Windshield: Haobam Paban’s Nine Hills and One Valley
  13. Kalpajyoti Bhuyan- Village Rockstars: A Natural Ode to Simplicity And a Lesson Never to Give Up in Life

  14. Shoma Chatterji- Bandini By Bimal Roy
  15. Babu Subramanian- The Leader in his Labyrinth: Narrative Ambiguity Leading to Multiple Interpretations in Adoor Gopalakrishnan’s Mukhamukham (1984)
  16. Garima Kalita- The Story of Grand Capitulation : Jahnu Barua’s Halodhia Choraye Baodhan Khai
  17. Manoj Barpujari- Trauma, Agony, and Metaphoric Jhelum
  18. Debjani Halder- A Politics of Representation: Portrayal of the Suppression of Women in Indian Patriarchy
  19. Purushotham Chalapati- Kantara: The Representation of ‘Daivam Manushya Rupena!’
  20. Subrat Jyoti Neog- Manju Borah’s Ko: Yad
  21. Anju Devadas- Aavasavyuham as Ecocinema: Bridging Man, Nature and the World