E-CineIndia (October-December 2022)
E-CineIndia
ISSN: 2582-2500
Oct-Dec 2022
Editor:
Premendra Mazumder
Editorial Board:
MK Raghavendra
N Vidyashankar
Meena Karnik
Manoj Barpujari
G P Ramachandran
Copy-Editor:
Bhagyalakshmi Makam
- Obituary-Sudhir Nandgaonkar
Article - Anis Pervez- Meaning Construction in the Film: A Cybernetic Approach
- P.K. Pokker- When Nangeli Comes Back to the Stage with the Voice of the Subaltern
- Reetamoni Das- What’s on the Road? The Quest, the Intrigue, the Tales…
Interview - Pradip Biswas- Andrey Zvyagintsev: Face to Face
Paper - Pritha Banerjee- From Recollection to Recapitulation:Situating Time, Memory and Dotage in “Vortex” and “Amour”
Chidananda Dasgupta Memorial Contest on Film Criticism 2022: Winners - Abhishek Roy- Struggle in Paradise: The Little Wins That Have a Big Impact
- Sragdharamalini Das- Locating Mayurakshi between Mourning and Melancholia
- Ankita Rathour- Kabir Singh Bothers?
- Ashish Diwedi- Revisiting Franz Osten’s Acchut Kanya: Bombay Talkies’ Debut Social Endeavour
- Sanil M Neelakandan- Constructing Ideological Tropes of Dalits and Muslims: On Caste, Islam and Gender in Malayalam Films
- Johnson Rajkumar- Manipur through the Windshield: Haobam Paban’s Nine Hills and One Valley
- Kalpajyoti Bhuyan- Village Rockstars: A Natural Ode to Simplicity And a Lesson Never to Give Up in Life
Critique - Shoma Chatterji- Bandini By Bimal Roy
- Babu Subramanian- The Leader in his Labyrinth: Narrative Ambiguity Leading to Multiple Interpretations in Adoor Gopalakrishnan’s Mukhamukham (1984)
- Garima Kalita- The Story of Grand Capitulation : Jahnu Barua’s Halodhia Choraye Baodhan Khai
- Manoj Barpujari- Trauma, Agony, and Metaphoric Jhelum
- Debjani Halder- A Politics of Representation: Portrayal of the Suppression of Women in Indian Patriarchy
- Purushotham Chalapati- Kantara: The Representation of ‘Daivam Manushya Rupena!’
- Subrat Jyoti Neog- Manju Borah’s Ko: Yad
- Anju Devadas- Aavasavyuham as Ecocinema: Bridging Man, Nature and the World