FIPRESCI-India

India Chapter of the International Federation of Film Critics

E-CineIndia (April-June 2025)

E-CineIndia
Vol. XXVI
ISSN: 2582-2500
Apr – Jun 2025

Editor: 
Premendra Mazumder

Editorial Board:
MK Raghavendra
N Vidyashankar (Kannada)
Meena Karnik (Marathi)
Manoj Barpujari (Assamese)
G P Ramachandran (Malayalam)

Copy-Editor: 
Bhagyalakshmi Makam

OPINIONS EXPRESSED BY THE AUTHORS ARE THEIR OWN, AND E-CINEINDIA IS NOT RESPONSIBLE FOR THAT

Tribute
 1.⁠ ⁠Milind Damle – The Saga of Raj Kapoor: The Four Seen and One Unseen Pillars of RK Films.

Article
 2.⁠ ⁠Anis Pervez – Tracing the Evolution of Film Theories : Towards Meaning Construction.
 3.⁠ ⁠Ankuran Dutta – Prasanna Vithanage: Mastering the Art of Conflict in Cinema.
 4.⁠ ⁠Pranjal Borah – The Psychology of Film Appreciation in Today’s Digital Milieu: A Neurocinematic and Neuropsychological Hermeneutic.
 5.⁠ ⁠K. Rajesh & Ganga Mukhi – The Beauty of Crossing Lines.
 6.⁠ ⁠Gursimran Datla – ‘Facing War’—Facing Propaganda! Again!
 7.⁠ ⁠Latha Rajasekar – 1942 Nandanar to 2024 Nandan.
 8.⁠ ⁠G Kiran Prasad – How a Song Summarizes Film Narrative: A Case study of Michael Madana Kama Rajan (1990).
 9.⁠ ⁠Gowreesh V.S. – What is This? A Crossover Episode? Evolution of Bollywood Film and Music Stardom In the Age of Media Convergence.
10.⁠ ⁠Apurbajyoti Tanti – Censorship and The Paradox of Free Speech in Indian Democracy.
11.⁠ ⁠Dipsikha Bhagawati – Kaagaz Ke Phool: Revolutionising Contextual Semiotics.
12.⁠ ⁠Utpal Datta – Hope on the Horizon: Assamese Cinema in this Century.
13.⁠ ⁠O.P. Srivastava – Understanding the Myth, Meaning, and Misfires Behind Star Power.
14.⁠ ⁠Sanjoy Patnaik – Social Realism in Post-Emergency Odia Cinema.

Critique
15.⁠ ⁠Latika Padgaonkar – Angammal
16.⁠ ⁠N. Vidyashankar – The Seed of the Sacred Fig: An Artistic Indictment of Oppression.
17.⁠ ⁠Pradip Biswas – It Was Just an Accident: Jafar Panahi’s Critical Anecdote.
18.⁠ ⁠Aparna Ajith – Crimson Canvas and the Coloured Violence in Anurag Kashyap’s Gulaal.
19.⁠ ⁠Christeena T. Jose – Deconstructing Spectral Presence: A Derridean Hauntological Analysis of Bramayugam.
20.⁠ ⁠Shivika Sharma – Ajeeb Daastaans.

Paper
21.⁠ ⁠Pritirekha Neog – The Substance (2024): A Feminist Critique of Beauty Standards, Aging, and Self-Worth in Patriarchal Society.

Festival Reprot
22.⁠ ⁠Manoj Barpujari – Eikhoigi Imphal: Harvesting Goodwill.

Cover
Centenary Tribute
Raj Kapoor

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