E-CineIndia (October-December 2024)

E-CineIndia Vol XXIV
ISSN: 2582-2500
Oct-Dec 2024

Editor: 
Premendra Mazumder

Editorial Board:
MK Raghavendra
N Vidyashankar (Kannada)
Meena Karnik (Marathi)
Manoj Barpujari (Assamese)
G P Ramachandran (Malayalam)

Copy-Editor: 
Bhagyalakshmi Makam

OPINIONS EXPRESSED BY THE AUTHORS ARE THEIR OWN, AND E-CINEINDIA IS NOT RESPONSIBLE FOR THAT

Tribute
 1.⁠ ⁠Rita Dutta – Ode to Shyam Babu: A Feminist Filmmaker
 2.⁠ ⁠Sachin Chatte – Shyam Bengal has a Profound Impact on Indian Cinema
 3.⁠ ⁠Milind Damle – The Saga of Raj Kapoor: A Tale of Simplicity and Showmanship

5th Chidananda Dasgupta Memorial Competition for Film Criticism 2024
 4.⁠ ⁠Rhythm Mandal: Best Award  – ‘Out, damned spot’: Repression, Revolt, and Guilt in Qala
 5.⁠ ⁠Sayan Paul: 2nd Best Award – Bramayugam

Article
 6.⁠ ⁠Elena Rubashevska – Indian Entries at the Golden Globes: Voices of Genders
 7.⁠ ⁠Martin P. Botha – The Significance of the Cape Winelands Film Festival  As A Platform for World Cinema
 8.⁠ ⁠Madhuja Mukherjee – Cinema in Bengal, Early Film Cultures,  And Women as ‘Actors’ / in ‘Action’
 9.⁠ ⁠Sudha Padmaja Francis –  A New-Old Connection: The Intermedial Literary Re-turn in Malayalam Cinema
10.⁠ ⁠A Chandrasekhar – Survival Movies in Malayalam: A Critical and Evaluative study
11.⁠ ⁠Ashok  Palit – The New Wave Cinema of Odisha
12.⁠ ⁠Lalit Rao – Animation Films by Georges Schwizgebel
13.⁠ ⁠O.P. Srivastava – Parallel Cinema: India’s Revolutionary Film Movement
14.⁠ ⁠Subrat Jyoti Neog – Namrata Datta’s Lakshahira: The Woman of Substance
15.⁠ ⁠Anirban Sadhu – Films, not on Film – Indian Post Millennial Cinema

Paper 
16.⁠ ⁠Ashikha N – Reclaiming the Everyday: Loiter, Leisure, and Love in Arun Fulara’s My Mother’s Girlfriend
17.⁠ ⁠Manasee Palshikar – The Reassuring Emergence of the Quasi-maa Cop

Critique
18.⁠ ⁠M K Raghavendra – Dushor: An Experimental Film by Purandar Chaudhuri
19.⁠ ⁠Pradip Biswas – Boat People: Ann Hui’s Saga of Scary War
20.⁠ ⁠Rekha Deshpande – All We Imagine as Light or Magic?
21.⁠ ⁠Garima Kalita – Mimi: The Woman Protagonist and  A Story of Subverted Motherhood
22.⁠ ⁠Aparna Ajith – Moving with the Undercurrent: Vagaries of Women and Nature in Ullozhukku
23.⁠ ⁠Bhagyalakshmi Makam – Mahaan
24.⁠ ⁠J.A.H. Khatri – Misplaced Priorities and Ecological Imbalance: A Reading of Sherni
25.⁠ ⁠Siraj Syed – A Smuggler and Mass Murderer as Superhero and Icon
26.⁠ ⁠S Viswanath – Winging it against Societal Anathema
27.⁠ ⁠Dipsikha Bhagawati – Venkya: Tamaso Maa Jyotirgamay: The Fervent Mission
28.⁠ ⁠Latha Rajasekar – Experiencing Director Manikandan’s Kadaisi Vivasayi
29.⁠ ⁠Mitesh Take – A Meditative, Contemplative, Spiritual Experience
30.⁠ ⁠Purushotham Chalapathi and Deepika Bansal – Who Won the (Emotional) Conflict in Mala Aai Vhhaychy!?
31.⁠ ⁠Pranjal Borah – The Mirror to the Self and Society: Unfurling the Aesthetics and Politics of Aattam