E-CineIndia (July-September 2024)

E-CineIndia
Vol. XXIII
ISSN: 2582-2500
July – September 2024

Editorial Board:
MK Raghavendra
N Vidyashankar (Kannada)
Meena Karnik (Marathi)
Manoj Barpujari (Assamese)
G P Ramachandran (Malayalam)

Copy-Editor:
Bhagyalakshmi Makam

OPINIONS EXPRESSED BY THE AUTHORS ARE THEIR OWN, AND E-CINEINDIA IS NOT RESPONSIBLE FOR THAT

Tribute
1.⁠ ⁠Latika Padgaonkar – Aruna Vasudev
2.⁠ ⁠Shubhra Gupta – Aruna Vasudev
3.⁠ ⁠Premendra Mazumder – Aruna Vasudev will be Remembered Forever
4.⁠ ⁠Milind Damle – Anand and the Odds…A Few Hits and Misses of Dev

Article
5.⁠ ⁠Elena Rubashevska – Cinema as A Cultural Bridge: On-Screen Dialogue Between East and West
6.⁠ ⁠Smriti Suman – Heeramandi, Women and Culture of Protest in India
7.⁠ ⁠Jahnavi Nair – Gay Representation in Popular Culture: A Study in Contemporary Malayalam Cinema
8.⁠ ⁠Gopika P. V. – The Indigenous Superheroes: Comics, Culture, And Contemporary Malayalam Cinema
9.⁠ ⁠Manali Saha – Revisiting Kashmir: Landscape and Documentary Narrative in Sanjay Kak’s Jashn-e-Azadi
10.⁠ ⁠Pradeep Kenchanuru – Nationalism, National Movement and Indian Cinema
11.⁠ ⁠Mayank Dutt Kaushik – Tergiversation of Virtualized Trans-National: Whose Gaze is it Anyway??
12.⁠ ⁠Meghachandra Kongbam – When Aparajito Brings Satyajit Ray to Life
13.⁠ ⁠Sachin Chatte – Following the Footsteps of Cleo
14.⁠ ⁠Subhasish Bhowmick – Tracing Anti-Anthropocene: Re-imagining the Possibilities of the Cinema, Based on Rural India
15.⁠ ⁠Pradipta Das – ‘Tumhari Haisiyat Kya Hai?’: Classism Abound but Shy of Class Conflict, Bollywood And the Dynamics of Masters and Servants Across Ages
16.⁠ ⁠Sanjoy Patnaik – Social Construction of an Indian Villain in Post-Colonial Bombay Cinema
17.⁠ ⁠Ashok Palit – Manmohan Mahapatra: Father of New Wave Odia Cinema (1951-2020)
18.⁠ ⁠Aloy Deb Barma – Deconstructing Heroism in Kantara: Between Paradoxes of Masculinity, Power, and Cultural Celebration
19.⁠ ⁠Thangkhankhup Hanghal – Not Just Another Bollywood Bad Guy: Examining the Subversive Stardom of Danny Denzongpa
20.⁠ ⁠Seerat Kaur – The Whirlpool of Virtual Reality: Poly-Fragmented Transhumanism
21.⁠ ⁠Haseeb Roshan PM – Depiction of Family in Malayalam Movies during the ‘OTT Boom’ And How it Engages with the Concept of a Malayali Home
22.⁠ ⁠Dipsikha Bhagawati – Flag Waving Fibre: A Chronological Narrative of Assamese Cinema
23.⁠ ⁠OP Srivastava – Visual Art in Cinema: The Evolution and Influence of Technology

Critique
24.⁠ ⁠Arundhathi Padmanabhan – Sculpting in Space: A Study of Performance And Subversion in Joyland
25.⁠ ⁠Latika Padgaonkar – Yet Another Mohenjo Daro
26.⁠ ⁠Pradip Biswas – The Room Next Door: Almodovar’s Obsession with Death
27.⁠ ⁠Reetamoni Das – Old Wine in An Old Bottle: A Critical Review of Laapataa Ladies
28.⁠ ⁠Pakhi Mishra – Taika Waititi’s Jojo Rabbit: The Satirical Power of Cinema and the Reimagining of War Films
29.⁠ ⁠Subrat Jyoti Neog – Manju Borah’s in the Land of Poison Women
30.⁠ ⁠Latha Rajasekar – Mari Selvaraj’s Vaazhai

Festival Report
31.⁠ ⁠S Viswanath – Charming Cinemas that Coveted Cinephiles at Karlovy Vary IFF