E-CineIndia (January-March 2022)
E-CineIndia
ISSN: 2582-2500
Jan – Mar 2022
Editor:
Premendra Mazumder
Editorial Board:
MK Raghavendra
N Vidyashankar
Meena Karnik
Manoj Barpujari
G P Ramachandran
Copy-Editor:
Bhagyalakshmi Makam
Article
2. MK Raghavendra – Puneeth Rajkumar and Local Identity in Kannada Cinema
3. Milind Damle- Rolling Since 1960
4. Aparajita Pujari- The Tempest Within: Through the Bard’s Lenses
5. S Viswanath- Women Filmmakers and Gender-Ing Equity Empowerment Eco-Space
Chidananda Dasgupta Memorial Contest on Film Criticism
6. Anju Devadas- The Politics of Positioning ‘Women as Kitchen Drudge’: Sisyphean Torture of Gendered Kitchen space in The Great Indian Kitchen
7. Debanjan Dhar- Desire And Transgression in Laila Aur Satt Geet
8. Anik Sarkar- Ee.Ma.Yau and the “Other than Death”
Critique
9. Latika Padgaonkar- Manikbabur Megh
10. Pradip Biswas- The Apartment with Two Women: Clumsy to Imbibe
11. Abhishek Talukder- Ami O Manohar (Manohar and I) – Loneliness Lovely Face
12. Reetamoni Das- A Light in The Dark…Like the Fireflies
13. Dipsikha Bhagawati- Personified Phantom of an Imperialistic Paradigm: 8 Down Toofan Mail
Tribute (Assamese)
14. Pranjit Bora- চিৰদিনৰ স্বৰ্ণকণ্ঠ
Excerpt (Marathi)
15. Rekha Deshpande- अल्टिमेट देवदास
Paper
16. Rahma Anwar Hossain- Ray’s Interpretation of the Socio-Political Diaspora in Contrast with Tagore
17. Debarshee Samanta- The Journeys of Prakriti and Doyamoyee: The Portrayal of Female Desire by Tagore and Ray
18. Sulagna Maitra- Ray’s Monihara: A Re-examination of the Horrific Wife
Jury Report
19. Siraj Syed- 20th Dhaka International Film Festival 2022
Cover: Lata Mangeshkar (28 Sept 1929 – 6 Feb 2022)
